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We looked at books on Dada and Surrealism and ended the night immersed in the slaves of Michelangelo. Wordlessly we absorbed the thoughts of one another and just as dawn broke fell asleep in each other’s arms. When we awoke he greeted me with his crooked smile, and I knew he was my knight.

I had only read about LSD in a small book called Collages by Anaïs Nin. I wasn’t aware of the drug culture that was blooming in the summer of ’67. I had a romantic view of drugs and considered them sacred, reserved for poets, jazz musicians, and Indian rituals.

By the end of my first week I was very hungry and still had nowhere to go. I took to sleeping in the store. I would hide in the bathroom while the others left, and after the night watchman locked up I would sleep on my coat. In the morning it would appear I had gotten to work early.

Though I was prepared to sleep on benches, in subways and graveyards, until I got work, I was not ready for the constant hunger that gnawed at me. I was a skinny thing with a high metabolism and a strong appetite. Romanticism could not quench my need for food. Even Baudelaire had to eat. His letters contained many a desperate cry for want of meat and porter.

Negotiating the thick psychedelic atmosphere of St. Mark’s Place, I was not prepared for the revolution under way. There was an air of vague and unsettling paranoia, an undercurrent of rumors, snatched fragments of conversation anticipating future revolution. I just sat there trying to figure it all out, the air thick with pot smoke, which may account for my dreamy recollections. I clawed through a thick web of the culture’s consciousness that I hadn’t known existed.

Knowing I would never make it as a waitress, I left my uniform—only slightly soiled—with the matching wedgies in a public bathroom. My mother had given them to me, a white uniform with white shoes, investing in them her own hopes for my well-being. Now they were like wilted lilies, left in a white sink.

It was the summer Coltrane died. The summer of “Crystal Ship.” Flower children raised their empty arms and China exploded the H-bomb. Jimi Hendrix set his guitar in flames in Monterey. AM radio played “Ode to Billie Joe.” There were riots in Newark, Milwaukee, and Detroit. It was the summer of Elvira Madigan, the summer of love. And in this shifting, inhospitable atmosphere, a chance encounter changed the course of my life.

It was the summer I met Robert Mapplethorpe.

New York light, the light of the abstract expressionists.

Venus, he had told me, was more than a star. “I’m waiting to go home,” he said.

I wasn’t sad, because every time I thought of him I’d smile. I imagined him jumping on a boxcar on a celestial course to the planet he embraced, appropriately named for the goddess of love. I wondered why he devoted so much time to me. I reasoned it was because we were both wearing long coats in July, the brotherhood of La Bohème.

On the third day I found two quarters embedded in the grass in the park. We had coffee, toast and jam, and split an egg at the Waverly Diner. Fifty cents was real money in 1967.

The skyscrapers were beautiful. They did not seem like mere corporate shells. They were monuments to the arrogant yet philanthropic spirit of America.

I would spend that day much as I spent the next few weeks, looking for kindred souls, shelter, and, most urgently, a job. Summer seemed the wrong time to find a sympathetic student. Everyone was less than eager to provide me with a helping hand. Everyone was struggling, and I, the country mouse, was just an awkward presence. Eventually I went back to the city and slept in Central Park, not far from the statue of the Mad Hatter.

It was a big blow that the fare to New York had nearly doubled since last I’d traveled. I was unable to buy my ticket. I went into a phone booth to think. It was a real Clark Kent moment. I thought of calling my sister although I was too ashamed to return home. But there, on the shelf beneath the telephone, lying on thick yellow pages, was a white patent purse. It contained a locket and thirty-two dollars, almost a week’s paycheck at my last job.

He wasn’t certain whether he was a good or bad person. Whether he was altruistic. Whether he was demonic. But he was certain of one thing. He was an artist. And for that he would never apologize.

Coloring excited him, not the act of filling in space, but choosing colors that no one else would select. In the green of the hills he saw red. Purple snow, green skin, silver sun.

I wondered if I had really been called as an artist. I didn’t mind the misery of a vocation but I dreaded not being called.