Цитаты из книги Просто дети

По соседству с нами жил печальный толстяк в мятом плаще. Он выгуливал своего французского бульдога взад-вперёд по Двадцать третьей. У них с собакой были одинаковые физиономии - каскад отвисших складок. Хозяина мы прозвали Человек-Свинья.

В гриме она была вылитая старлетка 30-х годов. На веках - тени с блёстками. В волосах - блёстки. Пудра с блёстками. Сидеть рядом с Джеки значило возвращаться домой, сверкая блёстками от головы до пят.

Накануне праздников Джеки загрустила. Чтобы утешить, я угостила её "Снежком". Это была огромная порция шоколадного торта: сверху кокосовая стружка, внутри - ванильное мороженое. Джеки сидела ела и роняла в лужицу мороженого огромные слёзы с блёстками.

In my literary imagination, homosexuality was a poetic curse, notions I had gleaned from Mishima, Gide, and Genet. I knew nothing of the reality of homosexuality. I thought it irrevocably meshed with affectation and flamboyance. I had prided myself on being nonjudgmental, but my comprehension was narrow and provincial.

At first Robert thought it would be best if he slowly introduced me in phone calls to his parents. Then he decided to tell them we had eloped to Aruba and had gotten married. A friend of his was traveling in the Caribbean and Robert wrote his mother a letter, his friend postmarking it from Aruba.

It seemed whenever I wanted to express injustice I never had the right lines.

He never seemed to question his artistic drives, and by his example, I understood that what matters is the work: the string of words propelled by God becoming a poem, the weave of color and graphite scrawled upon the sheet that magnifies His motion. To achieve within the work a perfect balance of faith and execution. From this state of mind comes a light, life-charged.

In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos—the Modern, the Met, the Louvre?

In the war of magic and religion, is magic ultimately the victor?

Pensive, preoccupied, he’d look up and see me watching him and he’d smile. That smile broke through anything else he was feeling or experiencing—even later, when he was dying, in mortal pain.

In the beginning of March, Robert got a temporary job as an usher for the newly opened Fillmore East. He reported for duty in an orange jumpsuit. He was looking forward to seeing Tim Buckley. But when he came home he was more excited by someone else. “I saw someone who’s going to be really big,” he said. It was Janis Joplin.

On Christmas evening we said goodbye, and my mother gave Robert a shopping bag filled with her traditional gift to me: art books and biographies. “There’s something in there for you.” She winked at Robert. When we got in the bus on the way back to Port Authority, Robert looked in the bag and found the purple cow candy dish wrapped in a gingham kitchen towel. He was delighted with it, so much so that years later, after he died, it was found displayed among his most valuable Italian vases.

But soon after Robert was laid off, I also got fired. I had failed to charge a Chinese customer any tax on a very expensive Buddha. “Why should I pay the tax?” he said. “I am not an American.” I had no answer to this, so I didn’t charge him. My judgment cost me my job, but I was not sorry to leave. The best thing about the place had been the Persian necklace and meeting Robert, who, true to his word, had not given the necklace to another girl.

When he painted the kitchen, I was so happy that I prepared us a special meal. I made couscous with anchovies and raisins, and my specialty: lettuce soup. This delicacy consisted of chicken bouillon garnished with lettuce leaves.

“At least they’ll never get it,” he said. “Who are they?” I asked. “Anyone who isn’t us,” he answered.

We looked down at our hands, each holding on to the other. We took a deep breath, accepting our complicity, not in theft, but in the destruction of a work of art.

We had our work and one other. We didn’t have the money to go to concerts or movies or to buy new records, but we played the ones we had over and over. We listened to my Madame Butterfly as sung by Eleanor Steber. A Love Supreme. Between the Buttons. Joan Baez and Blonde on Blonde. Robert introduced me to his favorites—Vanilla Fudge, Tim Buckley, Tim Hardin—and his History of Motown provided the backdrop for our nights of communal joy.

Though I never questioned my decision to give my child up for adoption, I learned that to give life and walk away was not so easy.

As if it was the most natural thing in the world we stayed together, not leaving each other’s side save to go to work. Nothing was spoken; it was just mutually understood.